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Miriam Yalan-Shteklis

Israel Prize-winning children's poet whose stories and songs became part of the emotional memory of generations

Miriam Yalan-Shteklis (1900–1984) created children's literature that can be remembered after a first hearing and discovered anew many years later. A poet, storyteller, translator and librarian, she became part of family and educational life in Israel. Her distinctive ability was to bring rhythm and imagination together with emotional understanding. She addressed a child as a complete person, not merely as someone waiting to be taught a rule.

A life in books

Born Miriam Wilensky in what is now Ukraine, she grew up in a Zionist Jewish household and learned Hebrew while young. The name Yalan was formed from the initials of her father, Yehuda Leib Nissan. She immigrated to Palestine in 1920 and made Jerusalem her home. Studies in languages, the humanities and librarianship connected her with several literary traditions.

For many years she worked at the Jewish National and University Library, heading its Slavic department. Preserving and organising existing books accompanied the creation of new ones for young readers. Both activities recognised the value of written culture, while her poems showed how an inheritance must also become immediate and personal for each new generation.

Listening to what a child finds difficult to say

Danny Gibor introduces a child trying to understand hurt and tears. In Michael, waiting for a friend becomes an event of great emotional consequence. Yalan-Shteklis does not measure these experiences by an adult's scale of importance. Disappointment and loneliness are allowed to be real, giving a young reader permission to feel and language through which to express that feeling.

Other works are full of play and surprise. HaSabon Bacha Me'od brings household objects to life, while The Journey to the Maybe Island transforms concern for a doll into an adventure. Imagination creates a space in which children can explore friendship, fear and loyalty through action and invention.

Poetry passed from one generation to another

Collections such as Shir HaGedi, Yesh Li Sod and BaHalomi address different stages of childhood, matching language and experience with care. Musical settings gave many works a further life as songs in homes and kindergartens. Recordings, including the album by Shmulik Kraus and Josie Katz, also invited adults to encounter familiar poems with renewed attention.

Her translations from several languages expanded the range of children's literature available in Hebrew. In 1956 she received the Israel Prize for children's literature, in the first year the award recognised that field. The honour acknowledged her achievement and the full cultural importance of writing for young readers.

Why Miriam Yalan-Shteklis belongs in Moreshet

Miriam Yalan-Shteklis belongs in Moreshet at Moreshet.com because she left a living treasury of Hebrew language, music and emotional insight. Her work connects adults' memories of childhood with the experiences of children reading today. It demonstrates how cultural heritage can travel through a small, shared moment: a poem is read aloud, and a listener recognises the feeling that someone understands.